| The Cape (from Youth Without Yout and other
Novellas), Mercea Eliade, Chicago University Press,
2007 |
| The Suspicions of Mr Whicher or The Murder
at Road Hill House, Kate Summerscale, Bloomsbury, 2008 |
| Phantasmagoria, Marina Warner, Oxford University Press, 2006 |
| Marnie, Winston Graham, The Bodley Head Ltd, 1961
and 'Marnie',Film, Alfred Hitchock, 1964 |
| Fashion Classics from Carlyle to Barthes, Michael Carter; Berg, 2003 |
| Love's Madness: Medicine, the Novel and Female
Insanity, 1800-1865, Helen Small; Clarendon Press, 1998 |
| The Politics of Appearances: Representation
of Dress in Revolutionary France, Richard Wrigley; Berg, 2002 |
| Catastrophe and Imagination: An Interpretation
of the Recent English and American Novel, John McCormick: Longmans Green, 1957 |
| Oxford Reader's Companion to Dickens, Paul Schlicke, Oxford University Press,
1999 |
| Who's Who in Dickens, Donald Haughes, Routledge, 2002 |
| Dictionary of Literary Themes and Motifs
Volumes I and II, Jean-Charles Seigneuret;
Greenwood Press, 1988 |
| Closer & Closer Apart: Jealousy in Literature, Rosemary Lloyd, Cornell University Press,
1995 |
| Fashion Foundations: Early Writings on Fashion
and Dress,Joanne B Eicher, Kim K P Johnson, Susan J
Torntore; Berg, 2003 |
| The Return of the Native, Thomas Hardy, 1878 |
| Madame Bovary: Life in a Country Town, Gustave Flaubert, 1857 |
| Great Expectations, Charles Dickens, 1861 |
| The Woman in White, Wilkie Collins, 1861 |
| Rebecca, Daphne Du Maurier, 1938 and Rebecca, Alfred Hitchcock, 1940 |
| La Parure (The Necklace), Guy De Maupassant, 1884 |
| (Vertigo) Sueurs froides: d'entre les morts, Pierre Boileau and Thomas Marcejac, 1954 |
| The Red Shoes, Hans Christian Andersen, 1845 and The Red Shoes, Film, Powell and Pressburger, 1948 |
| Thérèse Raquin , Emile Zola, 1867 |
| Roxanna: The Fortunate Mistress, Daniel Defoe, 1724 |
| Mata Hari, Film, George Fitzmaurice, 1931 |
| Ethan Frome, Edith Wharton, 1911 |
| A Tale of Two Cities, Charles Dickens, 1859 |
| Sunset Boulevard, Film, Billy Wilder, 1950 |
| Les Liaisons Dangereuses (Dangerous Liaisons), Pierre Choderlos de Laclos, 1782 |
| Historical Fashion in Detail: The 17th and
18th Centuries, Avril Hart, V&A Museum |
| Orlando, Virginia Woolf, 1928 |
| The Dance of Death, Algernon Blackwood, 1927 |
| Against Nature, Joris-Karl Huysmans, 1903 |
| Seeing Through Clothes, Anne Hollander, 2003 |
| The Devil's Advocates: Decadence in Modern
Literature, Thomas Reed Whissen, 1989 |
| The Count of Monte Cristo, 1844 |