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MOIRÉ Series
About this series
Formal aspects of Op Art -
These constructs are in the process of shifting, or re-
The paintings
(oil) are made up of layers of individual colour stripes. One layer is placed over
the other. As a result, each layer negates, or enhances, the colour or shapes that
precede them. Even though there is the possibility to predict what will happen between
each layer during the painting's facture, in reality the slightest differentiation
of a line's articulation, or hue resulted in a quite marked shift.
In short, this
is an exercise in negotiation: individual layers reacting harmoniously or discordantly
with historical layers.
The notion of prescribed, predetermined outcomes is negated
in favor of exploiting a process that would reveal its own surprises dependent on
what lay beneath it.
The series of paintings is a comment about how contemporary perceptions
can never
Elements of history
may be overwritten but shifts in perception often bring them back to the surface
at different times and in different ways.
Related Information
Selected pieces from this series are in the solo touring exhibition ‘Toward the Light
by Pip Dickens’ (a Bradford Museums and Galleries exhibition supported by the Arts
Council of England. Touring from 2010-
Selected pieces were exhibited in ‘Colour in Art’ at The Beldam Gallery,Brunel University, West London.
Selected pieces are published in ‘SHIBUSA -