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SHIBUSA - Extracting Beauty
Edited by Monty Adkins and Pip Dickens

About the Book

Shibusa – Extracting Beauty celebrates a number of artistic endeavours: music, painting and the skill of making in general with particular reflection upon Japanese aesthetics.

Composer, Monty Adkins and visual artist, Pip Dickens (through a Leverhulme Trust Award collaboration) investigate commonality and difference between the visual arts and music exploring aspects of rhythm, pattern, colour and vibration as well as outlining processes utilised to evolve new works within these practices. 

The hand-cut paper Katagami stencil: a beautiful utilitarian object once used to apply decoration on to Japanese kimonos,  is used as a poignant symbol – the ‘hand-made machine’ -  by Adkins and Dickens both within the production of paintings and sound compositions and as a thematic link throughout the book.



The book reviews a number of contemporary artists (Bridget Riley, Estelle Thompson, Paddy Hartley, Liz Rideal and Fuyuko Matsui) and craftspeople (Yunosuke Kawabe, Makoto Mori and Taro Matsumara) and their individual approaches to ‘making things well’.  It explores, in particular, the balance between hand skills and technology within a work’s production with particular reference to Richard Sennett’s review of material culture in The Craftsman.

Shibusa – Extracting Beauty  includes contributing essays by arts writer, Roy Exley, who examines convergence and crossover within the arts and an in-depth history, and review, of the kimono making industry by Kyoto designer, Makoto Mori.

Exhibition & other events

Selections of works based on Japanese themes by Pip Dickens
are on this page: 'Shibusa' series of paintings.



Leverhulme Report at Leverhulme Trust website:
http://www.leverhulme.ac.uk/news


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Shibusa Extracting Beauty by Adkins and Dickens

Book details:
Shibusa - Extracting Beauty
Edited by Monty Adkins and Pip Dickens
ISBN-13: 978-1-86218-101-4
Size: 280 x 210mm
Pages: 144
Number of images: 97
Images in colour: 89

published by University Huddersfield Press
Email enquiries to: university.press@hud.ac.uk

The book is available through:
University of Huddersfield Online shop,
Amazon, Foyles and Jeremy Mills Publishing


r.r.p. £24.00


About the Authors

Monty Adkins is a sound artist, performer and lecturer in digital music. He read music at Pembroke College, Cambridge and is currently Professor of Electronic Music and Head of Research in the Music Department at the University of Huddersfield. He has published articles on the aesthetics of digital music, painting and visual art and has recorded five solo CDs of his sonic art.
http://www.montyadkins.com/

Pip Dickens was the Leverhulme Trust Award Artist in Residence at the University of Huddersfield, Department of Music 2010-11. She has a Masters in Fine Art, Slade School of Fine Art (UCL); was shortlisted for the NatWest Art Prize in 1997 and was the recipient of the Jeremy Cubitt Prize (Slade School of Fine Art). Dickens won the Edna Lumb Art Travel Prize in 1995 where she undertook research in Iceland. She was a nominee for the Jerwood Contemporary Painters 2009 and shortlisted for the Celeste Painting Prize 2009. She is an independent professional artist.
http://www.pip-dickens.co
m/


Contributing Authors

Roy Exley is a freelance art critic and writer. He has widely published journal articles exhibition reviews, book reviews, features and interviews and has also worked in collaboration with Art Galleries and Artists to write essays and texts for exhibition catalogues and press releases. His writings have been included in artists monographs, published compilations and surveys of contemporary art and photography. Over this period he has developed a comprehensive knowledge of the contemporary art world, in terms of both its organisational dynamics and within the framework of critical theory and the continuing evolution of art theory. He has a personal interest in Japanese craft and culture and electronic music.
http://www.royexley.co.uk

Makoto Mori is a kimono designer based in Kyoto, Japan. He was born in 1986 and studied at Kyoto City University of Arts. Mori inherited his family business and fuses traditional Kimono design knowledge and skills inherited from his father with state of the art computer graphics technologies. He also studied at Doshisha Business School under Professor Yuzo Murayama and completed a thesis on the comparative study of the relationship between Japan's heritage industries and 'Cool-Japan' movement. He is currently working on designing new-style kimono incorporating 'Cool-Japan' elements.
http://www.tocomarimo.com/


Copyright © 2012, Pip Dickens. All rights reserved.